Sunday, March 19, 2017

No. 2--Daffodils Abstracted

No. 2--Daffodils Abstracted.  Watercolor.
Approximately 12 x 10 inches.
Fearlessly marching ahead with #100bouquets.  Rather than making things up, I'm continuing working from set still life.  You can see my set up HERE.  (I tried embedding the instagram post, but that did not work, and I had to start from scratch twice.  Enough of that.)

You'll notice that I'm not super tied to the set up, which is my preference.  My style is definitely free-for-all, with lots of bleeds and mixing on the page.  I was also stymied by the fact that I took my model photo with my nose to the counter, which is not how I want to paint.  The point of view of the painting and the photo are different.

I don't own that many vases, so you'll be seeing them repeat.  This vase is from Neusole Glassworks, which is located in Forest Park.  The daffodils are from my front yard.

I'm not just painting flowers.  (That would be boring!) It just happens to be what I've been blogging about.

Paint:  Carbazole Violet, isoindoline yellow, lemon yellow, cobalt, undersea green, all Daniel Smith.
Paper:  Fabriano 300 lb Rough

Thursday, March 16, 2017

No. 200 and No. 1--Orange Flowers From Kroger

No. 1 Orange Flowers From Kroger.  Watercolor.
Approximately 30 x 22 inches.
This is my 200th blog post.  I'm metaphorically patting myself on the back!  I never imagined where I'd be when I started this blog about watercolor in October of 2012 .

I've met some fabulous people electronically (Rhonda Carpenter and Laura Starrett, I'm thinking of you), and painted and painted, and painted.  I think I'm getting better.  I'll check back in another 5 years.

My paintings are getting more and more abstract, so logically, I'm starting a project that's literal.  #100bouquets. I'm taking this up after following Lauren Everett Finn's similar efforts.  This is my first, and it's on a full sheet.  I figure to take about a year to get this done, although I reserve the right to take more time.  I like to paint flowers, but they all just froze, which doesn't bode well, and I tend to get distracted.

Fabriano 300 lb rough watercolor paper.  Daniel Smith, quin burnt orange, quin red, isoindoline yellow, nickel azo yellow, and phthalo blue rs.


Tuesday, February 28, 2017

Blue/Orange/Gray: Developing Some Abstracts

Blue/Orange/Gray.  Watercolor and Crayon.
Approximately 3.5 x 3 inches.

Last weekend I sat down and started painting (or doodling) with a limited palette on hot press paper. Hot press, of course, is super smooth.  It handles the paint very differently than cold press or rough--it almost seems as if it's a race to get the paint to stay fluid on the paper.  And, if you ask me, the colors look different when they are dry--different in a way that's more chalky than if I was painting on one of the other types of watercolor paper.  This is just my opinion--I honestly don't paint on this type of paper frequently, and am not doing any kind of systematic study.

Today, I took one of the paintings and finished it with a crayon overlay.  Finished piece above.  Can  you tell which one it was?  Yeah, too stripey with a weird growth.  It's the second abstract I've finished with that blue.  You can see the first HERE.  I should probably finish all five so that they're interconnected by color, yes?

Cobalt blue, quin burnt orange, quin red, and undersea green (all daniel smith) and overlaid with light blue and light gray caran d'ache crayon.



Four Abstracts.  Watercolor.
Each approximately 3 inches square.